Home and Horizon: Weaving Heritage Into the Future
- nuramira7
- Jul 25
- 4 min read
Dear friends,
Lately, I’ve been thinking a lot about what it means to look outward while holding fast to where we come from. About how some journeys begin not with departure, but with a widening of the gaze. A leaning into possibility.
As I prepare for new chapters ahead, I find myself returning to the navigators of our region: the people of the Nusantara, the Orang Laut - who braved turbulent seas and meandered through adventures on land and water - and the Orang Pulau - who built communities and civilizations when they settled on islands.

🌊 The Sea Is a Map of Memory
The Orang Pulau are often described as “sea people” but they were not simply fisherfolk or maritime support. They were, in many ways, the original diplomats of the Nusantara seas. Coastal navigators. Guardians of archipelagic intelligence. People who didn’t just live by the water, but within it: emotionally, spiritually, and strategically.
One of the things I find most astonishing is how the Orang Pulau shaping trade routes and not merely sailing them. For centuries, they acted as navigators, lookouts, pilots, and political intermediaries for ancient maritime polities. Perhaps most famously, they helped control and facilitate movement through the Straits of Malacca, one of the most important maritime chokepoints in the world — guiding ships safely through its shifting sandbanks, strong currents, and hidden shoals.[¹]
In return, they weren’t merely subordinates; they were kingmakers. The rise of Srivijaya in the 7th century, and later the Melakan Sultanate, depended not only on port city power but on alliances with Orang Laut communities who controlled access to the seas. They were, quite literally, keepers of the horizon, and sometimes, the only ones who could read it and make sense of it.
It was said that certain Orang Pulau navigators could sail from island to island by remembering the rhythm of waves bouncing off their boats with a kind of embodied sonar, honed over generations.
And when I reflect on where I’m going, and where I’m returning to, I wonder if that’s what I’m also learning to do: to navigate not by what I see, but by what I’ve felt. What I’ve heard. What I’ve inherited.
🔭 Home is Not the Opposite of Horizon
Through The Pulau Brani Project, I’ve been archiving stories of an island that disappeared from maps but never from memory. My grandmother raised her children there. My mother and her siblings learned to fish and to pray and to play among the stilts and tides. It was a world of rhythm and ritual, but what most people don’t realize is that it is also one of cosmopolitan openness. Brani was both rooted and global, traditional and adaptive, ceremonial and subversive.
And perhaps that’s the real lesson of the Orang Pulau: that home and horizon are not in conflict. They are twin instincts. One helps you anchor; the other teaches you to seek.
I don’t believe we have to choose between heritage and invention. Between tradition and technology.
What we need are bridges: rituals of continuity, architectures of care.
Technology, to me, is not a replacement for memory. It is a conspirator of imagination. A compass that helps us reconstruct what was lost: not perfectly, but evocatively. Not as simulation, but as tribute.

A Framework for Reimagining
In my work with AI and heritage, I’ve been holding close to five principles:
Let memory be nonlinear as it rarely obeys timelines, and that’s a gift.
Treat technology like an apprentice because it learns best when we teach it with care.
Prioritise community voice, especially those who were never seen, much less asked to write the archives.
Design for intergenerational resonance: let children ask questions that elders help answer.
Make space for reverence and risk: not everything has to be productive. Some things should simply be beautiful.
🌱 What We’re Building
As we continue working on the Pulau Brani digital archive, we’re also experimenting:
With AI-generated kampung scenes, batik motifs based on oral histories, conversational guides trained on pantun and grandmother laughter.
With spatial memory maps that anchor stories to coordinates long since paved over.
With inclusive, brave tech that doesn’t erase, but evokes, engages and, hopefully, uplifts.
There are quiet shifts happening in my own life too: new landscapes, new opportunities, and I feel, in some way, like I’m sailing in the footsteps of the Orang Pulau. Not to leave something behind, but to carry it, and everyone before me, forward.
🌐 What’s New on the Website
If you haven’t visited thepulaubraniproject.org recently, we’ve added some new layers to explore:
New memory stories, including a growing collection of passed-down accounts from my own family — fragments of song, childhood, and quiet defiance, now made visible.
Fresh heritage recipes, some never-before published, that offer not just flavour but memory: sambal kalbu, ikan masak rampai, and other dishes lovingly reconstructed through conversation and trial by fire.
And soon, we’ll be adding more sketches, photos, and storytelling experiments — because this isn’t just a digital archive. It’s a living, breathing invitation.
✨ And a Little Announcement - Upcoming Event
We’ll also be speaking at Cha-Time #40: “Using Artificial Intelligence for Heritage & Culture Revitalisation, Reconstruction and Visualisation” hosted by the Southeast Asian Cultural Heritage Alliance (SEACHA).

We hope to see you there – you can register at the following link to join: https://lnkd.in/gprm5MMq
Venue: Online via Zoom
Time: 3:00 PM (GMT+8 Singapore time)
Date: August 2, 2025
It’ll be an honour to share how Pulau Brani — and all it represents — is helping us ask better questions about belonging, erasure, and reimagination.
Thank you for reading, for dreaming across tides, and for moving forward with me.
With love and wind at our backs,
Amira
Founder, The Pulau Brani Project
Board Member, Singapore Heritage Society
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[1] See Andaya, Leonard Y. “The Role of the Orang Laut in the History of the Malay World.” Journal of the Malaysian Branch of the Royal Asiatic Society, Vol. 66, No. 1 (1993), pp. 1–21.